Global Initiatives: Morocco: Fiction

In this stylish, haunting novel, journalist and novelist Lawrence Osborne explores the reverberations of a random accident on the lives of Moroccan Muslims and Western visitors who converge on a luxurious desert villa for a decadent weekend-long party.    David and Jo Henniger, a doctor and children's book author, in search of an escape from their less than happy lives in London, accept the invitation of their old friends Richard and Dally to attend their annual bacchanal at their home deep in the Moroccan desert - a ksar they have acquired and renovated into a luxurious retreat.  On the way, the Hennigers stop for lunch, and the bad-tempered David can't resist consuming most of a bottle of wine.  Back on the road, darkness has descended, David is groggy, and the directions to the ksar are vague.  Suddenly, two young men spring from the roadside, apparently attempting to interest passing drivers in the fossils they have for sale.  Panicked, David swerves toward the two, leaving one dead on the road and the other running into the hills.   At the ksar, the festivities have begun: Richard and Dally's international friends sit down to a lavish dinner prepared and served by a large staff of Moroccans.  As the night progresses and the debauchery escalates, the Moroccans increasingly view the revelers as the godless "infidels" they are.  When David and Jo show up late with the dead body of the young man in their car, word spreads among the locals that David has committed an unforgivable act.   Thus the stage is set for a weekend during which David and Jo must come to terms with David's misdeed, Jo's longings, and their own deteriorating relationship, and the flamboyant Richard and Dally must attempt to keep their revelers entertained despite growing tension from their staff and the Moroccan Berber father who comes to claim his son's body.   With spare, evocative prose, searing eroticism, and a gift for the unexpected, Osborne memorably portrays the privileged guests wrestling with their secrets amidst the remoteness and beauty of the desert landscape.  He also gradually reveals the jolting back-story of the young man who was killed and leaves David's fate in the balance as the novel builds to a shattering conclusion.

A New York Times Notable Book "Fresh and alluring. . . . Hungry Ghost offers a new twist on the kind of covert dharma fiction we're familiar with in the works of Kate Wheeler and Jim Harrison." -- New York Times Book Review Carter Cox is a talented but dissipated freelance photojournalist living in New York City's East Village with his sad dog and bad habits. Though he travels to exotic places taking pictures of models and celebrities, he yearns to do more meaningful work and to mend his womanizing ways. He also wants to put into practice the lessons he learns from his Buddhist betters, but he continues to carry with him his "seduction kit": a chessboard, cigarettes, and a Cormac McCarthy novel. At a Buddhist retreat, he meets Mia Malone, a beautiful, smart devout Catholic determined to remain a virgin until she is married. Carter falls hard, and Mia nervously agrees to join him on a photo shoot in Morocco. With both of their souls hanging in the balance, they quickly go from the ocean to hot water: crashing their car, getting arrested, running afoul of a sadistic gendarme, and trying to flee the country. Over the course of their adventure, they discover that karma and the human heart work in very mysterious ways.

This thought-provoking, semi-autobiographical book tells the story of Aisha, a young Moroccan woman, and her struggle to find an identity in the Morocco of the second half of the twentieth century. Charting Aisha's path through adolescence and young adulthood up to the present, her story is told through a series of flashbacks, anecdotes, and glimpses of the past, all bound up with a strong, often strident, always compelling worldview that takes in Morocco, its politics, people, and traditions, Islam, and marriage. Male female relationships feature strongly in the narrative, and by exposing us to Aisha's troubled romantic encounters, Abouzeid uncovers the shifting male/female roles within the Morocco of her lifetime. Many aspects of Moroccan society are also explored through the other clashes of the modern and the traditional in Aisha's life. The workplace and corruption, the struggle for women's rights, the clash between Islamic and Western values as well as with the older practices of sorcery and witchcraft, and the conflict between colonial and native language use are all intertwined in a narrative that is both forceful and often poetic. Through a series of tales of emotional disasters, the reader becomes aware not only of Aisha's frustrations but also of her deep commitment to her country and her struggle to defeat suffering, uphold justice, and retain a fierce independence as a woman and a clarity of conviction in her life. Leila Abouzeid is a pioneer among her Moroccan contemporaries in that she writes in Arabic rather than in French and is the first Moroccan woman writer of literature to be translated into English. This stimulating and revealing book adds a new perspective to Maghrebi women's writing, and is an important addition to the growing body of Arab women's writing in translation.

An extraordinary literary artist offers a powerful vision of tomorrow in a world barely touched by the passing centuries. There is life in the Nekropolis -- but no future. Hariba spent her youth here, among the exquisite paper flower wreaths her mother meticulously constructed, playing contentedly with other children around the rows and rows of old buildings housing the crumbling bones of the dead. But when an older brother's criminal indiscretion robbed Hariba of any possibility of a husband, she agreed to have herself "jessed" -- submitting to the technoblological process designed to render her docile and subservient to whomever has purchased her service. In this way, Hariba could escape the confinement of her surroundings and hopelessness of her fate...though she could never again be truly free. At the age of twenty-six, she enters the house of a wealthy merchant as an indentured servant. It is a new world for Hariba, filled with many wondrous objects and strange amusements that she has never before seen. But there is one thing in this place that greatly disturbs her: a harni, an intelligent, machine-bred creature of flesh and organs, a perfect replica of a man. A menial, like herself, it calls itself "Akhmim." And it unsettles Hariba with its beauty, its naïve, inappropriate tenderness -- and with prying, unanswerable questions like "Why are you sad?" But slowly, almost imperceptibly, Hariba's revulsion metamorphoses into acceptance, and then into something much more. For Akhmim, like her, is a nonentity at the very bottom of the social order -- and the harni's gentle concern for her is real. And if she shuts out the accusing voices in her head, Hariba can even forget that Akhmim is less than human. Dangerous thoughts, however, must inevitably lead to dangerous actions -- and outlaw emotions can breed an unholy love defying the strictly enforced edicts of God and man. Soon feelings Hariba can neither control nor ignore have her contemplating the unthinkable -- escape. But the "jessed" abandon their masters at the risk of sickness, pain, imprisonment, and perhaps even death. And there is no safe haven for a rebel servant and a runaway A.I. -- not even within the shunned, technology-barren bowels of the city of the dead. Hugo Award winner Maureen F. McHugh has written a provocative, powerfully dazzling novel of repression and reawakening -- and a unique, profoundly moving love storythat stands alongside the acclaimed works of Ursula K. Le Guin and Margaret Atwood.

Paul Bowles had already established himself as an important American composer when, at the age of thirty-eight, he published The Sheltering Sky and became widely recognized as one of the most powerful writers of the postwar period. By the time of his death in 1999 he had become a unique and legendary figure in modern literary culture. From his base in Tangier he produced novels, stories, and travel writings in which exquisite surfaces and violent undercurrents mingle. This Library of America volume, containing his first three novels, with its companion Collected Stories and Later Writings, is the first annotated edition of Bowles's work, offering the full range of his literary achievement: the portrait of an outsider who was one of the essential American writers of the last half century. The Sheltering Sky (1949), which remains Bowles's most celebrated work, describes the unraveling of a young, sophisticated, and adventuresome married couple as they make their way into the Sahara. In a prose style of meticulous calm and stunning visual precision, Bowles tracks Port and Kit Moresby on a journey through the desert that culminates in death and madness. In Let It Come Down (1952), Bowles plots the doomed trajectory of Nelson Dyar, a New York bank teller who comes to Tangier in search of a different life and ends up giving in to his darkest impulses. Rich in descriptions of the corruption and decadence of the International Zone in the last days before Moroccan independence, Bowles's second novel is an alternately comic and horrific account of a descent into nihilism. The Spider's House (1955), the longest and most complex of Bowles's novels, is set against the end of French rule in Morocco. Its characters--ranging from a Moroccan boy gifted with spiritual healing power to an American writer who regrets the passing of traditional ways--are caught up in the clash between colonial and nationalist factions, and are forced to confront cultural gulfs widened by political violence. Bowles--who once told an interviewer, "I've always wanted to get as far as possible from the place where I was born"--charts the collisions between "civilized" exiles and unfamiliar societies that they can never really grasp. In fiction of slowly gathering menace, he achieves effects of horror and dislocation with an elegantly spare style and understated wit. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation's literary heritage by publishing, and keeping permanently in print, America's best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

An innocent man's gripping personal account of terrifying confinement by the Moroccan military during the reign of a formidable twentieth-century despot In 1967 Tahar Ben Jelloun, a peaceful young political protestor, was one of nearly a hundred other hapless men taken into punitive custody by the Moroccan army. It was a time of dangerous importance in Moroccan history, and they were treated with a chilling brutality that not all of them survived. This powerful portrait of the narrator's traumatic experience, written with a memoirist's immediacy, reveals both his helpless terror and his desperate hope to survive by drawing strength from his love of literature. Shaken to the core by his disillusionment with a brutal regime, unsure of surviving his ordeal, he stole some paper and began secretly to write, with the admittedly romantic idea of leaving some testament behind, a veiled denunciation of the evils of his time. His first poem was published after he was unexpectedly released, and his vocation was born.

The Road to Fez tells the story of Brit Lek, a young American woman born to Sephardic-Jewish parents. Seeking solace and a sense of belonging after her mother's death, 18-year-old Brit returns to Morocco, her birthplace and home for the first six years of her life. Brit falls in love with her Uncle Gaby, her mother's much younger brother. Gaby and the rest of the family try to steer Brit's emotional energy away from him, and they urge her to fulfill her mother's wish that she make a pilgrimage to Fez to the grave of her namesake Suleika, a 19th century Moroccan martyr, who was executed because she would not renounce her faith. Gaby, who moves easily between the Jewish Mellah and the Arab Medina, offers a window for Brit to see beyond the confines of their family's life in Morocco. Together, Gaby and Brit take the road to Fez and along the way surrender to their forbidden love. The Road to Fez is a magical journey of self-discovery.

Raised by his mother in a one-room house in the slums of Casablanca, Youssef El Mekki has always had big dreams of living another life in another world. Suddenly his dreams are within reach when he discovers that his father--whom he'd been led to believe was dead--is very much alive. A wealthy businessman, he seems eager to give his son a new start. Youssef leaves his mother behind to live a life of luxury, until a reversal of fortune sends him back to the streets and his childhood friends. Trapped once again by his class and painfully aware of the limitations of his prospects, he becomes easy prey for a fringe Islamic group. In the spirit of The Inheritance of Loss and The Reluctant Fundamentalist, Laila Lalami's debut novel looks at the struggle for identity, the need for love and family, and the desperation that grips ordinary lives in a world divided by class, politics, and religion.