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A Separate Peace: Photo Essay

John Knowles' Essay, the Phillips Exeter Academy Photo Essay edited by ------- and other Academy related information about the book.

Fiction can best be illustrated by the reader's imagination, and suggestions as to the "correct" picture are disconcerting and often disappointing. And yet, a writer's work begins, somehow, in the time and place of his own experience, and for John Knowles these were the final years of the Second World War, at the Phillips Exeter Academy. It was that experience which he transformed into A Separate Peace, published fifteen years after his graduation.

I have not set out to reconstruct the Exeter scene of 1945. Nearly all of these pictures are recent [1970], with exceptions in the case of an important building or room which has been removed or remodeled. Although there is much new construction taking place on the campus, many of the old buildings have not been changed.

To schoolboys of today that war has become ancient history, but the encroachments of war upon young men's lives remains essentially the same. And what makes A Separate Peace impressive is the way it reaches into the existence of boys at school, an intense, competitive, often lonely existence, from which adults are largely excluded. Because this basis of living does not change, the boys pictured here are, with allowances for fashion, like those of any time. These photographs are not meant to dispel the mystery of their unique world, any more than facts about an author can rob a novel of its art. Perhaps they will add new subjects for speculation.

I am grateful to Richard Niebling, whose suggestions led to this undertaking, to Paul Sadler Jr. for planning and designing this essay, to Bradford Herzog for his evocative photographs, and to John Knowles for permission to use excerpts from his novel.

---- Thomas Hinkle, Editor

 I walked along Gilman Street, the best street in town. The houses were as handsome and as unusual as I remembered. Clever modernizations of old Colonial manses, extensions in Victorian wood, capacious Greek Revival temples lined the street, as impressive and just as forbidding as ever. I had rarely seen anyone go into one of them, or anyone playing on a lawn, or even an open window.

 

 

 

It was early afternoon and the grounds and buildings were deserted, since everyone was at sports. There was nothing to distract me as I made my way across a wide yard, called the Far Common, and up to a building as red brick and balanced as the other major buildings, but with a large cupola and a bell and a clock and Latin over the doorway--the First Academy Building.

 

 

 

 

 

 

 

In through swinging doors I reached a marble foyer, and stopped at the foot of a long white marble flight of stairs. Although they were old stairs, the worn moons in the middle of each step were not very deep. The marble must be unusually hard. That seemed very likely, only too likely, although with all my thought about these stairs this exceptional hardness had not occurred to me. It was surprising that I had overlooked that, that crucial fact.

The quadrangle surrounding the Far Common was never considered absolutely essential to the Devon School. The essence was elsewhere, in the older, uglier, more comfortable halls enclosing the Center Common. There the School's history had unrolled, the fabled riot scenes and Presidential visits and Civil War musterings, if not in these buildings then in their predecessors on the same site. The upper-classmen and the faculty met there, the budget was compiled there, and there students were expelled. When you said "Devon" to an alumnus ten years after graduation he visualized the Center Common.

 

 

 

Devon is sometimes considered the most beautiful School in New England, and even on this dismal afternoon its power was asserted. It is the beauty of small areas of order  --a large yard, a group of trees, three similar dormitories, a circle of old houses--living together in contentious harmony.

 

 

 

 

But once you passed through the Colonial doorways with only an occasional fan window or low relief pillar to suggest that a certain muted adornment was permissible, you entered an extravaganza of Pompadour splendor.

 

I  went along beside him across the enormous playing fields toward the gym. Underfoot the healthy green turf was brushed with dew, and ahead of us we could see a faint green haze hanging above the grass, shot through with the twilight sun. Phineas stopped talking for once, so that now I could hear cricket noises and bird cries of dusk, a gymnasium truck gunning along an empty athletic road a quarter of a mile away, a burst of faint, isolated laughter carried to us from the back door of the gym, and then over all, cool and matriarchal, the six o'clock bell from the Academy Building cupola, the calmest, most carrying bell toll in the world, civilized, calm, invincible, and final. The toll sailed over the expansive tops of all the elms, the great slanting roofs and formidable chimneys of the dormitories, the narrow and brittle old housetops, across the open New Hampshire sky to us coming back from the river. "We'd better hurry or we'll be late for dinner," I said.

 

"I don't really believe we bombed Central Europe, do you?" said Finny thoughtfully. The dormitories we passed were massive and almost anonymous behind their thick layers of ivy, big, old-looking leaves you would have thought stayed there winter and summer, permanent hanging gardens in New Hampshire. Between the buildings, elms curved so high that you ceased to remember their height until you looked above the familiar trunks and the lowest umbrellas of leaves and took in the lofty complex they held high above, branches and branches of branches, a world of branches with an infinity of leaves. They too seemed permanent and never-changing, an untouched, unreachable world high in space, like the ornamental towers and spires of a great church, too high to be enjoyed, too high for anything, great and remote and never useful. "No, I don't think I believe it either," I answered.

 

 

 

No one else happened to be in the pool. Around us gleamed white tile and glass brick; the green, artificial-looking water rocked gently in its shining basin, releasing vague chemical smells and a sense of many pipes and filters; even Finny's voice, trapped in this closed, high-ceilinged room, lost its special resonance and blurred into a general well of noise gathered up toward the ceiling. He said blurringly, "I have a feeling I can swim faster than A. Hopkins Parker."

 

 

I found it. I found a single sustaining thought. The thought was, You and Phineas are even already. You are even in enmity. You are both coldly driving ahead for yourselves alone. You did hate him for breaking that school swimmingrecord, but so what? He hated you for getting an A in every course but one last term. You would have had an A in that one except for him. Except for him.

 

He put his hands on the back of a chair and leaned toward me. "I know. We kid around a lot and everything, but you have to be serious sometime, about something. If you're really good at something, I mean if there's nobody, or hardly anybody, who's as good as you are, then you've got to be serious about that. Don't mess around for God's sake." He frowned disapprovingly at me. "Why didn't you say you had to study before? Don't move from that desk. It's going to be all A's for you."
     "Wait a minute," I said, without any reason.  It seemed that he had made some kind of parallel between my studies and his sports. He probably thought anything you were good at came without effort. He didn't know yet that he was unique.
     I couldn't quite achieve a normal speaking voice. "If I need to study, then so do you."
     "Me?" He smiled faintly. "Listen, I could study forever and I'd never break C. But it's different for you, you're good. You really are. If I had a brain like that, I'd--I'd have my head cut open so people could take a look at it."
     "Now wait a second..." 

"Oh, you know Finny." I didn't, I was pretty
sure I didn't know Finny at all. "It was a messy
break," he went on, "but we'll have him out of it
eventually. He'll be walking again."
     "Walking again!"
     "Yes." The doctor didn't look at me, and barely
changed his tone of voice. "Sports are finished for
him, after an accident like that, of course."
     "But he must be able to," I burst out, "if his
leg's still there, if you aren't going to amputate
it--you aren't, are you?--then if it isn't
amputated and the bones are still there, then it must come back to the way it was, why wouldn't it? Of course it will."

 

 

As I had to do whenever I glimpsed this river, I thought of Phineas. Not of the tree and pain, but of one of his favorite tricks, Phineas in exaltation, balancing on one foot on the prow of a canoe like a river god, his raised arms invoking the air to support him, face transfigured, body a complex set of balances and compensations, each muscle aligned in perfection with all the others to maintain this supreme fantasy of achievement, his skin glowing from immersions, his whole body hanging between river and sky as though he had transcended gravity and might by gently pushing upward with his foot glide a little way higher and remain suspended in space, encompassing all the glory of the summer and offering it to the sky.

 

The great expanses of wall space were opaque with canvas, portraits in oil of deceased head-
masters, a founder or two, forgotten leaders of the faculty, a beloved athletic coach none of us
had ever heard of, a lady we could not identify--her fortune had largely rebuilt the school; a
nameless poet who was thought when under the school's protection to be destined primarily for
future generations; a young hero now anonymous who looked theatrical in the First World War uniform in which he had died.

 

Continuity was the keynote. The same hymns were played, the same sermon given, the same announcements made. There was one surprise; maids had disappeared "for the Duration," a new phrase then. But continuity was stressed, not beginning again but continuing the education of young men according to the unbroken traditions of Devon.

 

 

 

 

 ...I wanted no more of sports. They were barred from me, as though when Dr. Stanpole said, "Sports are finished" he had been speaking of me. I didn't trust myself in them, and I didn't trust anyone else. It was as though football players were really bent on crushing the life out of each other, as though boxers were in combat to the death, as though even a tennis ball might turn into a bullet. This didn't seem completely crazy imagination in 1942, when jumping out of trees stood for abandoning a torpedoed ship. Later, in the school swimming pool, we were given the second stage in that rehearsal: after you hit the water you made big splashes with your hands, to scatter the flaming oil which would be on the surface.

The Butt Room was something like a dungeon. It was in the basement, or the bowels, of the dormitory. There were about ten smokers already there. Everyone at Devon  had many public faces; in class we looked, if not exactly scholarly, at least respectably alert; on the playing fields we looked like innocent extroverts; and in the Butt Room we looked, very strongly, like criminals. The school's policy, in order to discourage smoking, was to make these rooms as depressing as possible. The windows near the ceiling were small and dirty, the old leather furniture spilled its inwards, the tables were mutilated, the walls ash-colored, the floor concrete. A radio with a faulty connection played loud and rasping for a while, then suddenly quiet and insinuating.

 

 

But in a week I had forgotten that, and I have never since forgotten the dazed look on Finny's face when he thought that on the first day of his return to Devon I was going to desert him. I didn't know why he had chosen me, why it was only to me that he could show the most humbling sides of his handicap. I didn't care. For the war was no longer eroding the peaceful summertime stillness I had prized so much at Devon, and although the playing fields were crusted under a foot of congealed snow and the river was now a hard gray-white lane of ice between gaunt trees, peace had come back to Devon for me.

 

 

But Phineas had moved in continuous flowing balance, so that he had seemed to drift along with no effort at all, relaxation on the move. He hobbled now among the patches of ice. There was the one certainty that Dr. Stanpole had given him--Phineas would walk again. But the thought was there before me that he would never walk like that again.

...sweat was running like oil from Finny's face, and when he paused involuntary tremors shook his hands and arms. The leg in its cast was like a sea anchor dragged behind.

Finny sat down on a bench, struggled out of his sheep-lined winter coat, and took a deep breath of gymnasium air. No locker room could have more pungent air than Devon's; sweat predominated, but it was richly mingled with smells of paraffin and singed rubber, of soaked wool and liniment and for those who could interpret it, of exhaustion, lost hope and triumph and bodies battling against each other. I thought it anything but a bad smell. It was preeminently the smell of the human body after it had been used to the limit, such a smell as has meaning and poignance for any athlete, just as it has for any lover.

 

Mornings we got up at six to run. I dressed in a gym sweat suit with a towel tucked around my throat, and Finny in pajamas, ski boots and his sheep-lined coat.

 

A morning shortly before Christmas vacation brought my reward. I was to run the course Finny had laid out, four times around an oval walk which circled the Headmaster's home, a large rambling, doubtfully Colonial white mansion. Next to the house there was a patriarchal elm tree, against the trunk of which Finny leaned and shouted at me as I ran a large circle around him.

 

This plain of snow shone a powdery white that morning; the sun blazed icily somewhere too low on the horizon to be seen directly, but its clean rays shed a blue-white glimmer all around us. The northern
sunshine seemed to pick up faint particles of whiteness floating in the air and powdering the sleek blue sky. Nothing stirred. The bare arching branches of the elm seemed laid into this motionless sky.

Saturday afternoons are terrible in a boy's school ....

And these Saturdays are worst in the late winter when the snow has lost its novelty and its shine, and the school seems to have been reduced to only a network of drains. During the brief thaw in the early afternoon there is a dismal gurgling of dirty water seeping down pipes and along gutters, a gray seamy shifting beneath the crust of snow, which cracks to show patches of frozen mud beneath.

 

The sky is an empty hopeless gray and gives the impression that this is its eternal shade. Winter's occupation seems to have conquered, overrun and destroyed everything, so that now there is no longer any resistance movement left in nature; all the juices are dead, every sprig of vitality snapped, and now winter itself, an old, corrupt, tired conqueror, loosens its grip on the desolation, recedes a little, grows careless in its watch; sick of victory and enfeebled by the absence of challenge, it begins itself to withdraw from the ruined countryside. The drains alone are active, and on these Saturdays their noises sound a dull recessional to winter.

...I stood there wondering whether things weren't simpler and better at the northern terminus of these woods, a thousand miles due north into the wilderness, somewhere deep in the Arctic, where the peninsula of trees which began at Devon would end at last in an untouched grove of pine, austere and beautiful.  

There is no such grove, I know now, but the morning of my return to Devon I imagined that it might be just over the visible horizon, or the horizon after that.

 

 

At Devon the open ground among the buildings had been given carefully English names--the Center Common, the Far Common, the Fields, and the Fields Beyond. These last were past the gym, the tennis courts, the river and the stadium, on the edge of the woods which, however English in name, were in my mind primevally American, reaching in unbroken forests far to the north, into the great northern wilderness.

 

 

 

The excellent exterior acoustics recorded his rushing steps and the quick rapping of his cane along the corridor and on the first steps of the marble stairway. Then these separate sounds collided into the general tumult of his body falling clumsily down the white marble stairs.

 

 

 

 

I reached the Infirmary with Finny's suitcase and went inside.The air was laden with hospital smells, not unlike those of the gym except that the Infirmary lacked that sense of spent human vitality. This was becoming the new background of Finny's life, this purely medical element from which bodily health was absent.

 

 

 

 

 

I  reached the bridge which arches over the little Devon River and beyond it the dirt track which curves toward the stadium. The stadium itself, two white concrete banks of seats, was as powerful and alien to me as an Aztec ruin, filled with the traces of vanished people and vanished rites, of supreme emotions and supreme tragedies. The old phrase about "If these walls could only speak" occurred to me and I felt it more deeply than anyone has ever felt it, I felt that the stadium could not only speak but that its words could hold me spellbound. In fact the stadium did speak powerfully and at all times, including this moment. But I could not hear, and that was because I did not exist.

 

 

From my locker I collected my sneakers, jock strap, and gym pants and then turned away, leaving the door ajar for the first time, forlornly open and abandoned, the locker unlocked. This was more final than the moment when the Headmaster handed me my diploma. My schooling was now over.

 

All of them, all except Phineas, constructed at infinite cost to themselves these Maginot Lines against this enemy they thought they saw across the frontier, this enemy who never attacked that way--if he ever attacked at all; if he was indeed the enemy.